She agrees that she could do that and be successful. When she describes her flowers, she describes them as "strong": "They'll be strong coming this category" (247). The strength of the flowers is a representation of her own sense of knowledgeable strength, and the fact that she muckle make the flowers grow is her talent, her strength, the means by which she demonstrates a power over the outside world that she does not feel in other areas of life.
Images of strength and power railway line with the way we usually think of flowers and gardening, and for that matter with the way we as a society usually think of women as weaker than men. enzyme-linked-immunosorbent serologic assay's limit of her garden is portrayed as a violent act, involving to a greater extent strength than maven might think in a pair of scissors described as " goodly":
She was cut of meat down the old year's chrysanthemum stalks with a pair of short and powerful scissors. . . Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful. The chrysanthemum stems seemed to small and easy for her energy (246-247).
When Elisa is in her garden, she seems to take on masculine qualities in terms of her actions and her dress:
Her figure looked blocked and heavy in her gardening costume, a man's black hat pulled low over her eyes, clodhopper shoes, a figured print dress well-nigh co
This idea of gender differences is made more apparent by the vendor as he keeps talking roughly how his life is not a life for a char char and how women would not be likely to accept the loneliness or the animals crawling under the wagon at night. It is evident that Elisa takes exception to this and would like to live such a life. more than than this, she does not see the world in terms of things a woman can and cannot do moreover instead sees it as what she herself as an individual would do.
She makes a clear connection amongst herself and the vendor in terms of how an individual ability can make a person feel powerful and one with the universe, as she feels when gardening and as he feels when fixing things:
mpletely cover by a big corduroy apron with quad big pockets. . . She wore heavy leather gloves to protect her hands dapple she worked (246).
This phrase--"symbol of her prettiness"--means more than it says, for the dress represents an aspect of her personality, her prettiness, her fair(prenominal) side, while her gardening clothes represent her strength in terms of a masculine side--the gardening clothes embarrass a man's hat and other male attire, for instance.
The vendor senses the greatness to Elisa of her specialty, her flowers, and he plays on that pride within her by asking her to give him some of the stalks so a woman up the road can grow chrysanthemums as well. She tells him in detail how to care for them, how to plant them, how to assure that they will grow. For her, this thrust is second-nature, and she talks of "planting-hands," what we might call a green thumb, but meaning much more than this. The term refers to her ability to be at one with the plant, to feel what it feels and to impart her care almost psychically, to feel the urgency in the plant and to fulfill that need with her planting hands. The vendor can do the same thing with pots and pans and scissors.
This ability to do something is what gives each of them power in their grouchy realm. E
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