Nora's fictitious character in the beginning of the play is much like that of a doll. In act one, Nora lacks an individualism. She follows the role that society has taught her to play. However, this is non the breakage of Nora. Nora has never really been exposed to both other identity, because work force hurt raised her. Throughout her entire life she was spoon-fed by her father and husband. Nora goes along with the status quo ma
Nora's authentic identity is in the process of being built when Torvald calls her his "little lark" (Ibsen 403), "little squirrel" (Ibsen 403), and a child. Nora continues to follow this identity throughout the play until the end. It is complete and presented to the reader when she stands up to Torvald and does the setback of what he wants her to do.
Nora tells Helmer at the end of the play that, "I have to try to educate myself. You can't help me with that. I've got to do it alone. And that's why I'm release you now"(Ibsen 455). Nora also tells Helmer, "I must(prenominal) stand on my own feet if I am to find out the righteousness about myself and about life"(Ibsen 455). At this point she does not allow Torvald to use his condescending tone to manipulate her any longer. Sometimes in life even now one must step up and make a yield if he or she is in a bad situation. "Nora realizes that forrader she can be a wife she must commencement ceremony discover herself through venturing out into the world"(Safford). Nora now must follow her own path and decide for herself what her life provide be in the future. "She tells him that given the suffocating life she has lead until now she owes it to her
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