Negative Environmental Influence by Parents

Romeo and Juliet are forbidden by her parents to divulge one another, ultimately setting into motion the events of their suicide. The contend feud between the Montague's and Capulet's force the young, genuinely in spot couple to fake death but misunderstanding leads to suicide. In The Glass Menagerie, Amanda's continual meddling into her children's lives and constant nagging causes Laura to retrograde into a fragile, broken world while tom turkey abandons his puzzle and sister for his own ambitions. In The Little Foxes, Alexandra is able to operate the evil influence of her nonplus, but only because of the love and complement of other family members worry her father and aunt.

In Romeo and Juliet, the young lovers buy the farm in love but a family feud keeps them apart. We see this distresses Juliet when she is visited by Romeo at her window after a troupe thrown by her parents, the Capulet's. Juliet laments that because of a name, something arbitrarily applied to a person, she cannot be with Romeo. She maintains "Thou art thyself, though not a Montague" (Shakespeare, II.ii). If Romeo were not called "Romeo," Juliet maintains he would still "Retain that dear perfection which he owns / Without that title" (Shakespeare, II.ii). In other words, the behavior of their parents, including Juliet's father's appetite to see her wed Paris, causes depression in Romeo and Juliet that soon turns tragic.

Williams, T. (1976). The shabu menagerie. In stool Schilb and John Clifford, Eds. Making Literature Matter. New York: Bedford/St. Martin's Press.

Fristad, M.A., & Clayton, T.L. (1991). Family dysfunction and family psychopathology in child psychiatry patients. Journal of Family Psychology, 5(1), 46-59.

In The Glass Menagerie, Laura willing be emotionally crippled from the negative influence of her mother but Tom survives and escapes. Amanda is desperate to marry off her miss so that she can undertake her and her own future. She forces Laura to go to typing school, thinking an economically saleable skill will action her well if a husband cannot be had. She nags Tom unrelentingly about his dreams of being a writer and to help secure a gentleman caller for Laura. However, Amanda's domineering and unhappy temper forces Laura to retreat even more into her fragile world of glass figures and illusions. When Amanda insists there are no gentleman callers because of foul run or something, Laura shows she understands there is no hope for her, "It's not a flood, it's not a tornado, Mother. I'm just not popular like you were in Blue Mountain" (Williams, 1976, p. 404). Ultimately, Amanda will insist that Tom bring home a coworker, whose revelation that he is assiduous breaks what's left of Laura's fragile sense of self or hope.

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