(1) Exhibit 1 shows selected data from 1980-1991 for U.S. remove distributors, and illustrates an undeniable trend in the movie industry: major movie studios dominate. As shown, major U.S. film distributors trump North American Theatrical Film letting Shares at an average of 92%. Further, Major Distributors accounted for 44.2% of total U.S. and Canada unite Gross Box office earnings despite their importantly lower number of releases with an average of 2 Independent Releases for both 1 Major Release.
Arundel Partners would be interested in buy the denouement rights for one or more studios entire return over and extended period not less than a year. If a particular film was a hit, and Arundel thought the sequel would be profitable, it would exercise its rights by producing the sequel itself or hiring professionals to do so.
Alternatively, it could also sell the rights to the highest bidder (= all these outcomes are profitable). Inevitably, most origin films would not justify sequels, and their sequel rights would simply not be exercised.
(2) Whether Arundel could expect to make money depended heavily on how often it had to pay to purchase a portfolio of sequel rights. Arundels allege cash payments for the rights, at an agreed-upon price per film, would help finance product of the initial film. This in turn adds value to the initial movie, lend to its success and perhaps increasing the likelihood of a sequel. From the studios perspective, Arundel would carry cash when they needed tit he most, during an initial films production. Since Arundel...If you want to get a full essay, battle array it on our website: Ordercustompaper.com
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