Drawing up the Examples of Minoan Art

Minos than had Daedalus build the Labyrinth, a maze from which there was no escape, as a place in which to hold the Minotaur. The young Athenians have been sacrificed by becoming turned loose within the Labyrinth, where they would be caught and eaten by the Minotaur. This tribute was ended once Theseus, supposedly the son of Poseidon, volunteered to be one from the Athenian hostages. With the help of Minos' daughter Ariadne, he was able to slay Ariadne's half-brother, thus ending Athens' tutelage, and return to Athens in triumph.

The fresco on the "bull dancers" shows young acrobats vaulting and somersaulting in between the horns and more than the back of a bull. What's the connection, if any, in between this exercise and individuals young Athenian victims? Mary Renault, in her novel The Bull in the Sea, advised an answer that put the most feasible spin over a Minoan hegemony: the young Athenians have been sent to Knossos to become trained as athletes to accomplish the "bull dancing." She also proposes that Theseus' freeing from the Athenians from their Minoan servitude reflected the destruction of Minoan supremacy by 1 or additional violent earthquakes, which had been believed by the Greeks to become the handiwork of Theseus' putative father, Poseidon.

However, Renault's historical novel is fiction, not history. Its Euhemerism continues the Greek literary tradition of inventing a mythica

 

Provides an great and level-headed discussion of Bronze Age history and on the Greek myths concerned with Minos and Crete, as well as a competent survey of Minoan archaeology from the late 1970s. It remains useful, as it is not apparently influenced by recent theological trends that have been influencing interpretation of archaeological data, for example are evident in Castleden. It is well-illustrated, whilst you will find few color plates.

c. Priestess and bull as sacred marriage.

B. Interpretations of myth and fresco.

c. As not itself physically dangerous.

Athenian myth was accurate enough in recalling the complexity from the palace at Knossos. It could therefore were accurate about other details, including the fate from the Athenian hostages, eaten by the Minotaur. What precisely could that have refereed to?

The disturbing possibility that arises inside recent discoveries that Castleden discusses is that there may also had been human sacrifice associated of the bull-dancing ritual as well. The evidence of the human sacrifice at Anemospilia is incontrovertible: the system of the 17-year-old youth, trussed and drained of blood, and also the bodies in the priest, priestess, and an additional attendant who had just performed this sacrifice, have been observed together where they were buried by an earthquake minutes right after the sacrifice were carried out.

Trying to read ancient myths backwards in order to recover prehistory is often a hazardous company at best. Some points with the myths might be factual memories; others are absolutely fabricated for ones sake on the story; and without the need of independent evidence, the one can not be distinguished inside other. But as soon as such evidence is available, then the later myths supply some corroboration for that evidence and Castleden surveys some recently uncovered evidence of exactly these kinds of a nature.

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