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char with jar on head, ties w/ aesthetic of cool - duple meter—Blackest of both Traits—unique to fatalened Atlantic, quintessentially black competing meters sounding all @ once *visual identical—seen in quilts, they migrate, that is how multiple meter got around - mutilate beat vocabulary—suspensions of beat, either for every separate accent or suspending entirely phrases *visual equivalent—staggered entrances and windows propel evil away—seen as constantly shifting entrances/ to a fault seen in grinding millet, move out beat phrasing of comminute so ppl don’t smash into individually other -call and sideboard—solo/chorus, voice/instrument, co-occur call and response diff from western antiphony b/c of “supportive interruption -get knock off range—descending step-wise course of African melody, trait of institution—seen in horizontality of Kongo, b-boys, + capoeiristas -syllabicity—performing/ dance one-note-to-a-syllable, every note stop up to a syllable visual equivalent—brass tack order of afro-atlantic embellishment, theory + presence of “tack-head” in hiphop listening -contests of aesthetic virtuosity—battles of dance, carving contests in jazz,...If you want to get a full essay, order it on our website: Ordercustompaper.com
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