We instantaneously meet the bushmen who live in this desert and whom the narrator other than calls the little people. One of their main central problem is the lack of water. The consequences manifest themselves in rituals and memes.In their search for water, the root frame is assesed via the tools at hand using rituals passed down(p) from generation to genration. The pollex is pointed to ensure that not a drop of water is wasted. limp use is taught to the children by the parents via repeated demonstration. Parents ensure survival and withal teach the children.The meme or idea is transferred. Rituals and meme center on meaning not doing or demographics. The same can be seen I their using of leaves to capture dew and dew collection. Again ritual and meme transfer more or less the issue of a lack of water.
Looking further into the film, you would abide by that that this population had a deeper understanding of where water can be found than your average urbanite.
As the narrator compares this population with the exterior world, we see a contrast between cultures. The contrast is empirical, observable, and information rich but glossy, meningless and probably demographic as in not particularly meaning focused. In the Kalahari, the subject culture has none of this, that or the other. The do not have things meaning(prenominal) to us but not them. All the differences boil down to meaning as in idiomatic expressions where the meaning cannot be translated into another language.
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