Through painting, one could reach a further understanding of Tao or rather repossess his ancestors knowledge of Tao.
The Tao, with its associated notions of oneness of spirit and matter, the external flux of all things, the resolution of opposites, and the significance of the nonexhistant, was the footing on which Chinese based theirpainting and their theories of painting
It is the search for understanding that drives the artist-scholar to paint.
Shen Chou, an artist from the Ming Dynasty tells of his new found knowledge and cleansed mind which he has reached through only experiencing nature. His words are translated from the calligraphy in Night Vigil (above, center).
Through mental abstinence and by sitting alone by the light of the flickering cadmium long into the night, I must pursue both the [outer] principals of things and the wondorous [inner] full treatment of the mind. By using this method for self-cultivation and responding to things, I shall posess understanding.
The Literati were generaly of the beurocracy. They were considerably mannered in Confucian traditions, well educated, and well off. They were rootage scholars before they were painters. In fact painting was generally concidered...If you ask to get a full essay, order it on our website: Ordercustompaper.com
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