Minimalism-visual art and music

This left artists poorer but freer - assuming that they could find a method to assist themselves that nevertheless allowed them to make art.

Minimalism, which was arguably the first artistic movement to gain international significance that was created and developed by American artists, had the fundamentally Modernist goal of reducing painting and sculpture to its essentials - stripping away the surface ornamentation of fashionableness and style to reveal the artist's core principles. To this end, Minimalist artists (even far more so than Modernists) avoided representational elements in their work: They have been not interested in making an image that could be "read" through conventional imagery. This was the antithesis in the grand and flattering portraits that earlier artists had made of their patrons.

Minimalist artists in general veered toward sculpture rather than painting, taking advantage of new materials just then becoming formulated (many Minimalist works incorporated new kinds of plastic). Artists like Robert Morris and Donald Judd also seemed to consider that it was a lot more very easily feasible to make entirely new techniques of expression once they broke away inside flat space in the canvas with its history of representation.

A range of critics saw the extreme rejection in the representational not being a continuation from the tenets of Modernism but as being a refutation of them.

Most pop artists - like Andy Warhol - were not revolutionaries. Indeed, whilst Dadaism (which was also based in New York) was primarily a political movement that applied artistic ways to express political beliefs, Pop Art was basically an artistic (or possibly a cultural) movement that utilized some of the trappings of political protest to generate the art itself more interesting.

By creating these connections among Pop Art and its artistic roots, we can make a very good argument that it's not only kitsch. We must glimpse to Duchamp being a predecessor of Lichtenstein and Pop Art simply because Duchamp redefined who counted as an artist. And by doing this Duchamp also redefined what counted as art - and how art might be made. Beginning with Duchamp, each artist who came right after him has had being a part of his or her conceptual bag of tricks the chance to use readymade objects in his or her work.

But though artists like Duchamp utilized physical objects that they picked up to make art with, it would be artists like Donald Judd to transform the literal use of readymades into a far more conceptual use of them. Readymades have been originally incorporated into art in part to shock the sensibilities of people inside the artworld but also in component to protest what was happening inside world at big - the degradation in the lives of the common worker by industrialization, the rise of fascism, the love affair with the machine. Pop Art spun off of these same objections, but although Pop Artists had been to some extent protesting what they saw inside globe around them, they have been also additional content to mock what they saw regardless of whether than to try to improve things, as Warhol (p. 340) suggests.

However, this rather lofty tone cannot be reconciled with Modernism. Modernism was an essentially populist movement.

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