Divine Justice In King Lear Essay Example for Free

Divine Justice In King Lear EssayKing Lear inspires many philosophical inquires chief among them is the innovation of betoken justice. This concept was particularly important during the Elizabethan era, because religion played such a significant role in everyday life. Religious leadership directed people to expect that they would have to answer to a higher authority, expressing some hope that good would triumph and be rewarded over evil. But end-to-end King Lear, good does not triumph without honorable characters suffering howling(a) loss. In fact, at the plays conclusion, many of the good characters lie dead on the stageLear, Gloucester, and Cordelia. In addition, the audience hears that Kent will soon die, and the Fool has preliminary disappeargond, presumably to die. Of course, the evil characters are also dead, but their punishment is to be expected according to the laws of divine justice. But how then does the audience line for the punishment and, finally, the demi se of the good characters in King Lear?Lear makes several poor choices, most importantly in misjudging the seriousness of his daughters words but when he flees out into the open heath during a storm, his madness seems a painful and excessive punishment to witness. Parallel to Lears punishment is that which Gloucester suffers. The plucking of Gloucesters look can be perceived as another instance in which divine justice is lacking. Gloucester has made several errors in judgment, as has Lear but the condemnable nature of Gloucesters blindingthe plucking out of his eyes and the crushing of them under Cornwalls bootsis surely in excess of any errors he might have made.Both Lear and Gloucester endure terrible physical and mental suffering as punishment for their misjudgment, but before dying, both men are reunited with the child each earlier rejected. This resolution of the child-parent conflict, which earlier tore apart both families, may be seen as an element of divine justice, altho ugh it offers little gratification for the audience.Throughout King Lear, the audience has witnessed Edmunds growing triumph as a reward for his evil machinations. But when Edgar and Edmund meet in Act V, the duel in the midst of these two brothers is very different from the traditional mate for sport. Christian tradition recalls several biblical battlesbetween good and evil, as divine justice is an important component of trial by combat. The duel between Edgar and Edmund is really a conflict that replays this ongoing battle between good and evil, with Edgars defeat of Edmund obviously signaling the triumph of righteousness over corruption. Edgars victory, as head as his succession of Lear, as king of Britain, points to an intervention of divine justice.And yet, when Lear enters with Cordelias body, any immediate ideas about divine justice vanish. The deaths of Cornwall, Edmund, Regan, and Goneril have lulled the audience into a sentiment that the gods would restore order to th is chaotic world. But Cordelias death creates new questions about the role of divine justice a just god could not account for the death of this faithful and loving daughter.In spite of the seemingly senseless death of this young woman, Shakespeare never intended for his audience to escape the painful questions that Cordelias death creates. Instead, the audience is expected to struggle with the question of why such tragedies occur. The deaths of Gloucester and Lear are acceptable. Both have made serious errors in judgment, and although both came to recognize their complicity in the destruction that they caused, the natural resolution of this change was an acceptance of their future, whatever it held. But Cordelia is young and blameless. She is completely good and pure.At the plays conclusion, the stage is littered with bodies, some be of death and some the innocent victims of evil. Cornwall has been destroyed by his own honest servant Edmund is killed by the brother he sought to usu rp both Goneril and Regan are dead, one murdered and the other a suicide the obedient steward, Oswald, is dead, a victim of his own compulsion to obey. In the end, no easy answer surfaces to the question of divine justice, except that perhaps man must live as if divine justice exists, even if its only a product of rich and thirsty(predicate) imaginations.