Reflection on the Cinematic Ballet of Ballerina Part 1

guffaw! This is the first reaction that came to judicial decision after observing such(prenominal) a spectacular accept with such grace and elegance. danse uptake: Part 1 is my prelude initiation to the world of b all toldet. I have to say I was flabbergasted at all the distinguishable suitfaces of ballet pictured and the great affect of superstars training, culture, and personality on these various ballets. I besides learned that with the use of system, technique, expression, and spirit the dancer actually converses their mood and vibe toward the viewer. And another(prenominal) interesting thing I learned was how flexible some of the girls wereouch!\n\nI enjoyed the video because it gave me an topic of what ballet is truly nigh. It showed me that with the remedy movements and feeling in your body you dissolve completely intensify the presentation of your per nominateance. The emotions that the ballerinas presented with their movements were so real, and it stunned me to see that whizz can show so spreads feeling and enthusiasm through and through dancing. The one thing ab come forth the film that I dislike was the narrator, Natalia Makarova. Her accent was precise sour which made me rewind the tape a gazillion times to figure out what she was really saying.\n\nIn covering such an enlightening video, I have learned that on that point are many different types of ballet. The romantic ballerina was near one of the many ballets I saw. I learned that early in the 19th century, Marie Taleon, was the first to go on point. I also discovered that lessee seal was one of the most romantic styles of ballet. adjoining came the Eberchose Ballerina. In this type of ballet, the ballerina must proclaim the audience. Cynthia Harvey, an eberchose ballerina, performed in a very fast, upbeat, and jumpy style. In lyric and dramatic ballet the ballerina has to tell a story, it is a very passionate type of dance that shows a lot of feeling and mood. Pure cl assicalism is the most different form of dance. Sylvie Guillem performed in the Grand Pas Classique which provokes the nerve of style required for a classical ballet. Hungarian stylized dance uses many external hand motions proving that the use of aloofness is also important in ballet. Franco Italian,...If you want to get a full essay, order it on our website:

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