In the song The Love Song of J. Alfred Prufrock by T. S. Eliot, the principal(prenominal) character, J. Alfred Prufrock is seen as an anti-hero. His character and identity comes through strongly in the verse form as a shy and introvert man who is socially inept, extremely self conscious, lacking in self self-confidence and wallowing in self-pity, yet desiring for people to tick off him. The composer shows this through his spend of allusions, powerful imagery to create vignettes of Prufrocks deportment and the form of the poem as a disorderly dog of thought, implying rather than telling. Throughout the poem, T.S. Eliot uses umteen allusions in order to expand Prufrocks character and identity. The first such allusion is to the biblical character tail the Baptist in lines 83-83; Though I have seen my head (grown jolly bald) brought in upon a criminal record, I am no prophet - and heres no great matter. This allusion refers to the circumstance that John the Baptist was p unish by Salome and brought to her on a platter and that Prufrock sees himself in a same position; as a sacrifice to women. This reflects the occurrence that he is self conscious and circumspect when it comes to relationships.
Another allusion to a biblical character was to Lazarus, who, like the character in the epigraph at the beginning of the poem, went to endocarp, but came back to life and pour forthed close to it. This allusion, like the epigraph, is parallel to the poem. Prufrock sees himself as being in nuthouse; because of his lack of social ability, and like the person in the epigraph, requires to rag about his experiences because he feels t! hat he will never thrum out of it. T.S. Eliot uses I and you to show the two sides to Prufrock; his outer side... If you necessitate to get a full essay, order it on our website:
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