Storytelling: In an explicit sense, Bilbo, Frodo and Sam are engaged in a literary terminateeavor, involving the chronicling of their adventures. After a major fount has occurred, Sam a lot wonders how the story will be remembered and whether his proclaim heroics will be forgotten. More often than non, the stories of the heroes that are beared in the trilogy are in a song form, rather than a written literary form. Many of the songs are Elvish and towards the end of The Return of the King, many of these songs are prophetic in nature, with Aragorn coming into court as the foreshadowed King. Many of the present heroes are related to creator heroes or presently engaged in some seeking that originated in an anterior mission (for example, Frodos quest of the Ring is the emergence of Bilbos earlier adventure with the Ring). As a result, the songs are often celebratory (in regards to the past) and prophetic (in regards to the future).
Aging: Aging is a complicated field of study in this last novel of the trilogy. On one extreme, we meet Bilbo Baggins, who has become a genuinely elderly (but also very sleepy) hobbit. His recurrent sleep prefigures the symbolizationic death that occurs in the navigation towards the Grey Havens. Even on the ride to the sea, Bilbo is half-asleep on his horse. throughout the trilogy, the elves have represented a symbolic early days and regeneration. The press release of Galadriel and many elves certainly dampens the illusory hope of eternal youth that surrounded the elves. Conservation and Heritage: One of the arguments of the Trilogy is that the present generation has an obligation to take care of its own problems and not leave them to the next generation...
Indeed, the connection between the elves and midsummer is another symbol of extreme youth and life
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