A victim could be described as a individual cheated, injured, or even fooled by circumstances. Yet it seems that the idea of exploitation has become a symbol of Canada for Canadian authors. Margaret Atwood explains in, The Victim Theory, that in most instances of literature, the central theme is bare survival in the face of hostile elements(Atwood, The Victim Theory 77) Hence, for the French Canadians after the ramp took over, it became cultural survival, hanging on as people, retaining a theology and a language under an alien government(Atwood 77). contrasted the style of the Americans or the English, who hold out excitement and security, the Canadian literature can be seen on the opposite side of the spectrum with its unneedinessed anxiety. Accordingly, The Jade Peony, written by Wayson Choy, is a storey about a Chinese family living in Vancouver, deep down the heart of Chinatown. The story presents the struggles and misfortunes that the characters have undergone, thus acknowledging the idea of survival. As a co-relation to survival, Margaret Atwood introduces positions that make the character a victim, First of which is denying the detail that you are a victim at all(Atwood 79). In the second position, however, the character is a victim just now believes that it is in that location only by Fate.
Moreover, in Canadian literature, the survivor is non a victor or even receive comfort but has only the fact of knowing his ordeal; and sometimes, the obstacles that a character faces are not even external factors, but rather it is a spiritual survival. Therefore, The Jade Peony, written by Wayson Choy agrees with Margaret Atwoods The Victim Theory. Jung-Sum is a victim, but denying the fact that he is makes him contact the first primary position. Jung-Sum was brought in to Canada, due to the war that had...
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