The quality and importance of humanitys relationship with the inborn world is plain in a comparison in the midst of Aldous Huxleys dystopic novel, Brave sunrise(prenominal) world, and Ridley Scotts futuristic film, Blade Runner. The zeitgeist of each text affects the characterization of humanity and nature, with each composer extrapolating from their own time elements of contemporary trends which they establish disconcerting, into a hypothesized future. Both texts highlight the inextricable link between humanity and nature, and illustrate the consequences of imposing ourself on the natural landscape rather than integrating with it. They do this primarily by video display the negative effects of man interfering with the natural - a loss of humanity, identity and spiritualty - but contrast this with the dexterity of nature to prevail nonetheless. Even though they present us with very different world orders, both texts still exhaust relevance to current audiences, as they offer, through the use of efficient stylistic and filmic devices, a warning of a future where the natural rhythms of the world have been corrupted and finally destroyed in place of the monotonous and artificial.
In both texts, nature is understood plain as a force to be dominated, controlled or apply for the benefit of humanity. This thematic concern of Brave New World stems from Huxleys context of the early twentieth century.
The catastrophes of World War I and the economic collapse triggered by the Wall Street frighten away of 1929 created a time of great instability, inequity and disillusionment, creating a honourable vacuum; as a result, society is portrayed as lacking fundamental human qualities, such as spirituality and empathy. The central theme of consumerism is a direct product of the throne production that was being introduced to the western world. Huxley reflects his fear of this new order of production and other scientific advances in removing...
If you want to get a full essay, wisit our page: write my paper
No comments:
Post a Comment