Thursday, 11 April 2013

Commentary on Yeats' poem, "Leda and the Swan".

Leda and the Swan

In the sonnet Leda and the Swan, W.B Yeats retells the Greek myth of Ledas rape by genus Zeus, as he intakes diction to emphasize the divinity of Zeus, and the impuissance of Leda. Most of the words used to identify Leda describe her fleshly aspects with helpless connotations, such as the staggering girl (...) the nucha (...) her helpless breast (...) those terrified vague fingers (...) the loosening thighs. On the other hand, the words used to identify Zeus be more metaphysical with strong, yet dark connotations as seen in the great wings (...) the dark webs (...) caught in his bill (...) The join glory (...) his knowledge with his power. Throughout the sonnet at that place is a recurring contrast between the dark and raspy and the soft and sensual. Even the title itself when compared to the content of the actual verse form contains this contrast. In other words, Leda and the Swan has a romantic connotation, however in fact, the whole numbers is about a rape. The poem starts with an interruption that is then followed by a pause, which is conveyed through the use of a colon. Then, there is an evident contrast between the great and might Zeus with helpless earthly Leda in the great wings beating and in a higher place the staggering girl. Zeus demonstrates control over Leda as he overpowers her as seen in the word staggering.

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Yeats excessively manages to blend the sensual with the sinister as he says her thighs caressed/ By the dark webs. Ledas helplessness is continually emphasized as in her nape caught in his bill,/ (...) her helpless breast upon his breast. In the nigh stanza, two rhetorical questions are asked, which, through the use of diction, compares the tender-hearted versus the supernatural, such as seen in How...

I think you could give your feature personal comment on this poem and give whatever examples in the world nowadays to give envidents on your essay.

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